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It really feels like Hammer couldn’t quite decide what the hell the film’s tone was supposed to be—sometimes we’re tooling around in the vibrant, funky London of 1972, and yet Dracula’s abode is still a completely gothic-looking castle that instantly makes you forget the “modern” setting.Van Helsing confrontations, but they’re somewhat watered down from their first battle some 14 years earlier.This is similar to having members take “pre-employment tests” before joining.The reason it depends on data is because it’s linking two people who don’t know each other together through patterns of compatibility.The movie just feels slapdash compared to some of the earlier examples, and it’s not surprising that it’s since slipped into the public domain.—Jim Vorel 99.The fifth sequel to Horror of Dracula unexpectedly thrusts the time period forward all the way to “present day” 1972, in a decision that can only be described as equal parts goofy and uncomfortable—Christopher Lee himself called it “ludicrous.” Honest-to-god, most of the first 30 minutes feel like a teen musical comedy of the era, with rooms full of dancing kids, funk music and gigantic afros before, hey, wasn’t Dracula in this movie?
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The upside is that Peter Cushing is unexpectedly back as Van Helsing, a descendant of the original Van Helsing who is still running on a pretty strong anti-Dracula platform.
The Keep (1983) Let’s get this out of the way—The Keep is not a good movie.
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